Overzicht
Automatiseringsrisico
2. Gebruikerspeiling
3. Groei
4. Loon
5. Volume
Beschrijving
Middelen
Opmerkingen

Special Effects Kunstenaars en Animators

RISICO VAN AUTOMATISERING
BEREKEND
48%
risiconiveau
PEILING
39%
Gebaseerd op 1.171 stemmen
VRAAG NAAR ARBEID
GROEI
5,4%
tegen het jaar 2032
LONEN
$ 98.950
of $ 47,57 per uur
Volume
35.990
vanaf 2022
SAMENVATTING
BAANSCORE
5,8/10

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Stem
Opmerkingen (67)

Risico van automatisering

48% (Matig Risico)

Gemiddeld Risico (41-60%): Beroepen met een gemiddeld risico op automatisering omvatten meestal routinetaken, maar vereisen nog steeds enige menselijke beoordeling en interactie.

Meer informatie over wat deze score is en hoe deze wordt berekend, is beschikbaar hier.

Enkele vrij belangrijke kwaliteiten van de baan zijn moeilijk te automatiseren:

  • Originaliteit

Gebruikerspeiling

39% kans op volledige automatisering binnen de komende twee decennia

Onze bezoekers hebben gestemd dat er een kleine kans is dat dit beroep zal worden geautomatiseerd. Deze beoordeling wordt verder ondersteund door het berekende automatiseringsrisiconiveau, dat een schatting geeft van 48% kans op automatisering.

Wat denk je dat het risico van automatisering is?

Wat is de kans dat Special Effects Kunstenaars en Animators binnen de komende 20 jaar vervangen zal worden door robots of kunstmatige intelligentie?






Gevoel

De volgende grafiek(en) zijn opgenomen waar er een aanzienlijke hoeveelheid stemmen is om betekenisvolle gegevens te leveren. Deze visuele weergaven tonen de resultaten van gebruikerspolls in de loop van de tijd, en geven een belangrijke indicatie van sentimenttrends.

Sentiment over tijd (per kwartaal)

Gevoel over tijd (jaarlijks)

Groei

Matige groei ten opzichte van andere beroepen

Het aantal 'Special Effects Artists and Animators' vacatures zal naar verwachting stijgen met 5,4% tegen 2032

Totale werkgelegenheid en geschatte vacatures

* Gegevens van het Bureau of Labor Statistics voor de periode tussen 2021 en 2031
Bijgewerkte prognoses zijn verschuldigd 09-2023.

Lonen

Zeer hoog betaald vergeleken met andere beroepen

In 2022 was het mediane jaarloon voor 'Special Effects Artists and Animators' $ 98.950, of $ 47 per uur

'Special Effects Artists and Animators' werden 113,7% hoger betaald dan het nationale mediane loon, dat op $ 46.310 stond.

Lonen in de loop van de tijd

* Gegevens van het Bureau voor Arbeidsstatistieken

Volume

Matige reeks van werkmogelijkheden in vergelijking met andere beroepen

Vanaf 2022 waren er 35.990 mensen in dienst als 'Special Effects Artists and Animators' binnen de Verenigde Staten.

Dit vertegenwoordigt ongeveer < 0,001% van de werkende bevolking in het hele land.

Anders gezegd, ongeveer 1 op de 4 duizend mensen is werkzaam als 'Special Effects Artists and Animators'.

Functieomschrijving

Creëer speciale effecten of animaties met behulp van film, video, computers of andere elektronische hulpmiddelen en media voor gebruik in producten, zoals computerspellen, films, muziekvideo's en commercials.

SOC Code: 27-1014.00

Middelen

Als u overweegt een nieuwe carrière te beginnen, of van baan wilt veranderen, hebben we een handige zoektool voor banen gemaakt die u mogelijk helpt bij het vinden van die perfecte nieuwe functie.

Zoek naar banen in uw lokale omgeving

Opmerkingen

Laat een reactie achter

Ro (Zeer waarschijnlijk) zegt
Sora AI
Feb 19, 2024 at 04:39
james adamson zegt
Everyone here is looking at this from the perspective of a creative. I am also in that bucket, but when the bean counters see something cheaper and more efficient the little nuances and facets of human beauty and creativity will not be considered.
A powerful and forceful director/CEO/MD on board could swing that in human creativity's favour, but look at all the areas in production where the money goes for the lowest common denominator.
Art and money are not good bedfellows and AI art like plastic and industrial streamlining are where we are headed unfortunately.( IMHO.)While we got a bit cleverer at being efficient we will also get A LOT cheaper a lot saddder and A LOT more unpleasant on the eye!

From DaVinci to plastic impressions and AI interpretations of beauty.
I'm thinking of the film Brazil and a horrendous retail park I visited in LA! Gaudy gossip magazines cheap toy shops and the show Black Mirror!
Jan 31, 2024 at 11:12
armando camero zegt
you'll be replaced by AI if the client is okay with 'good enough' . but you won't if the client needs minor detail adjustments and lots of precision and control
Jan 14, 2024 at 09:33
Navarone (Zeer waarschijnlijk) zegt
Im a 3D rigging artist with 5+ years in the industry and if things keep going the way they are, i think that by 2040, 3D art is going to be just a few directors and producers using AI instead of a pipeline.
Art is dead.
Oct 01, 2023 at 12:30
JD (Zeer waarschijnlijk) zegt
AI art is already being embraced in small ways. the complexity and quality is only going to grow out of convenience to bigger animation companies, and demand from film production studios.
Sep 12, 2023 at 12:41
Joe zegt
If you'd posed this question to me just two years ago, my response would have been a firm "absolutely not." However, given the emergence of advanced AI generative models, my current perspective leans towards a scenario in which the role may not vanish entirely, but instead undergo a substantial reduction in workforce. So the hundreds of visual effects artists typically employed in a film's production might dwindle down to 5-10 individuals
Sep 02, 2023 at 11:19
dufhbsf (Laag) zegt
Originality is valued in animation and now that demand for original animations is growing it is highly unlikely that this job can get automated
Sep 02, 2023 at 03:19
Tejas Tarambale (Geen kans) zegt
Because Animation is not just about videos & art. It needs artistic thinking & different touch which connects you with art & attract you.

People want new things so AI can't give the think which not exist or it can't think its own...

That's why Robot will not get artists place.

Eventually we get Ai for faster processing & giving results to people & by that increases there revenue.
thanks.

It's my personal opening.
Aug 09, 2023 at 05:25
Rogério (Onzeker) zegt
Maybe AI could make the in-between animation, but the key frames will still being made by humans.
Feb 04, 2023 at 01:32
motiondelacruz (Zeer waarschijnlijk) zegt
Bro, ai graphic design is already here. In twenty years, the entire process will have been already fully automated by about 5 or 10 years.
Oct 23, 2022 at 02:13
BibirMengkeroet (Matig) zegt
If you're talking about special effects as VFX, then yes, you'll be replaced. In fact, AI Inpainting for video is currently under development and it will become public soon. Some 3D animators have already been replaced by motion capture. I think 2D animators are safe from AI for about 1-3 years.

However, special FX will never be replaced by AI. But you can count on your fingers the number of movies nowadays that still use special effects.
Sep 13, 2022 at 02:52
Santa Claus (Zeer waarschijnlijk) zegt
New AI image generators can produce results on par with human artists. While not quite there yet, it is just a matter of time. When art directors can produce high-quality results in minutes for pennies, there will be a strong incentive against hiring professional artists. This will also discourage new artists from spending years honing their skills and perhaps choosing a different profession altogether.
Sep 10, 2022 at 03:30
Ale (Geen kans) zegt
I think it is impossible but even if A.I manage to make animation it won't have much quality because animation requires imagination and originality too which A.I won't be able to give in animation.
Jul 30, 2022 at 07:20
Kate (Laag) zegt
Nowadays, there are already ways of making procedural animations. It might be the case that we will just need programmers to write the code to 'educate' the AI. Consequently, it will be able to learn and animate by itself.
Jul 12, 2022 at 06:05
sal zegt
I do not think that the robot will replace the graphics engine, whether in cartoons or in influential films. This is not a new concept.

Motion capture suits appeared decades ago and they do not eliminate the need for humans in the final product. If that were to happen, they would already be retired.
Jul 10, 2022 at 01:34
Jonas (Matig) zegt
Modelling tools and retopology tools are already being automated. 3d scanning and script writing as well. I think that animators still will supervise but tools will definitely be more and more automated.
Jun 08, 2022 at 05:34
ur mom (Geen kans) zegt
Art can't be made by robots. We've seen this time and time again, especially when people use AI to change a perfectly made 24 fps animation to 60 fps. Animation has to have a human touch to be appealing, so there's no way animation can be automated and still have people interested.
Mar 25, 2022 at 08:27
R (Zeer waarschijnlijk) zegt
Like any other art form, AI can provide infinite “creative” samples to choose from
Jan 15, 2022 at 07:22
j (Geen kans) zegt
Animation quality would go down by a lot if animation were automated. As an animator, animation needs a human touch. It doesn't look right if it's automated.
Jan 12, 2022 at 03:16
Mikael zegt
Working in visualization of film, I can't see AI. doing what we do in any foreseeable future. The reason for this is that a lot of the 3d process is a creative feedback-loop between the client and the artist. It's just open talk.

Also, would you have an AI do Lookdev when the client is looking for something stylized? The only way this would work would be if the AI. would be able to have that same back and fourth of ideas. It just can't.
Jan 05, 2022 at 02:24

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